For the audiences that attend the live screenings, Channel 101 is a chance to sit in the worn-out chair of the fat network exec, drunk on the blood of lowly artists whose right to exist is given in exchange for their ability to nourish. If there are 10 shows in the screening and 7 of them are good, that means 2 good shows aren’t coming back and the power of life and death is in your hands.
For the creatives that participate, Channel 101 is where the rubber meets the road. The deadlines are unreasonable, the time limit is impossible, the pay is non existent and the judgment is blunt. The amount of ego and sense of entitlement with which you enter is exactly proportional to the amount of pain you’ll experience before you leave. Channel 101 is where you learn three things: How to fail, how to succeed, and finally, how there is no difference between the two.
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