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Ka Baird, John Saint Pelvin, Ted Byrnes

This Sunday night salon will also feature the dismantled electrified folk and feedback shimmer of JOHN SAINT PELVIN, a fellow traveller who constructs cinematic landscapes with guit, vox, and occasional theremin squelch.

The show opens with set from one of L.A.’s own upending improvisors, percussionist TED BYRNES, a player whose idiosyncratic vocab of texture and attack breaks the bias of hum-drum drum rhythm and pours out granular sound, dashing dots and stacking crackles.